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Music by Snorri Sigfús Birgisson

for

Chamber Ensemble

(7 performers or more)

Brass Ensemble and percussion
Movement

String Orchestra
Hymn

Student Orchestra
(violins and cellos)
Hymn

Cello Ensemble (or 4 cellos)
Hymn
Lilja

Cello Ensemble (or 3 cellos)
Snorri Thorfinnsson's Lullaby

Flute, clarinet, violin, viola, cello,
piano and marimba
In A Magnetic Field

Soprano, clarinet, percussion (1),
2 violas, cello and double bass
The Glory of the World Will Vanish

Chamber Orchestra
Caput Concerto No.1

3 percussion soloists + Chamber Orchestra
Caput Concerto No.2

Piano Solo + Chamber Orchestra
Piano Concerto No.2

Narrator + Chamber Orchestra (without Contrasbass)
The Girl in the Tower

Soprano + Chamber Orchestra
The Drift of Melancholy

Contrabass + Chamber Orchestra
Concerto for Contrabass and Chamber Orchestra

 

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Concerto for Contrabass and Chamber Orchestra
is dedicated to Hávarður Tryggvason and written for him and the CAPUT-Ensemble. It has 12 movements. The first movements are independant with pauses after each one of them. The second half of the Concerto has short or no pauses between movements. - First performance: Reykajvik May 5th 2010. Performers: Hávarður Tryggvason (Contrabass solo) and CAPUT-Ensemble conducted by the composer.

Concerto for Contrabass and Chamber Orchestra - Score (Pdf-file)



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The Drift of Melancholy
was composed in 2006 at the request of Joel Sachs for The New Juilliard Ensemble with financial assistance from The Margret Bjorgolfsdottir Memorial Fund in Iceland. When I started to think about what to compose an old dream came to mind. I had for many years wanted to set poetry by Mary Jo Salter to music but an opportunity had never presented itself. Now I decided that since I would be writing for a group of young people in America this would be an ideal opportunity to let my dream come true. Mary Jo and her family lived in Iceland for a while in the late eighties and I soon got to know her poetry and have loved it ever since. The elegant structures, the poetic insights, the sound of the words as they connect with each other, the sentiments expressed: it all makes Mary Jo's poetry ideal for music. The three poems I chose for my piece have very different subject matters and very different characters but to me they are connected in a similar manner as spring connects to summer and summer to autumn. The Drift of Melancholy is dedicated to Joel Sachs and The New Juilliard Ensemble. - S.S.B.

First performance: The New Juilliard Ensemble (conductor: Joel Sachs, soprano: Charlotte Dobbs) Alice Tully Hall, New York, April 20, 2007.

The Drift of Melancholy -
Score (Pdf-file)
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Movement
for brass ensemble and percussion was composed in 1978 in Amsterdam. It is dedicated to Hákon Snorri van Gelder. The piece is in one movement and the duration is 9 minutes. It was first performed in Oslo under the direction of Per Lyng and soon afterwards it was played at an UNM-festival in Stockholm. The conductor was Leif Segerstam.

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 Hymn
for string orchestra was composed in 1982 for Nýja Strengjasveitin (The New String Orchestra) and first performed in Reykjavik under the direction of the composer. The piece consists of 11 very short movements which are all in the Mixolydian mode and are played very slowly. The composer has made several versions of this work with different groups of instruments. The most important are:

1) for student orchestra: violins (I and II) and cellos (I og II)
2) for 2 violas, cello and double bass
3) for 2 clarinets, violin and cello
4) for piano
5) for 4 cellos (or 4-part cello group)

The version for student orchestra is shorter than the others, 6 movements instead of 11.


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In a Magnetic Field
for flute, clarinet (in Bb), violin, viola, cello, marimba and piano, was composed in 1996. It was commissioned by NOMUS and written for Avanti!, BIT 20, Caput Ensemble, Composers Ensemble, Sonanza and Storströms Kammerensemble in conjunction with the Nordic Music Season in the UK 1995-1997.

The piece is in one movement but consists of a few separate sections. There is a melodic section, a rhytmic section, a slow section, a joyful section, a polytextural section etc. but the goal was to connect all the different elements and sections together and let them all contribute to a continuous and organic whole.

The first performance was given by Caput-ensemble conducted by Gumundur Óli Gunnarsson, on February 11th 1997 in Reykjavik.

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Snorri Thorfinnsson's Lullaby
is for cello group (or 3 cellos). From The Saga of the Greenlanders we learn about Gudridur Thorbjarnardottir and Thorfinnur karlsefni. Their son, Snorri Thorfinnsson, was born in America (or "Vinland"). Almost a 1000 years later, in November 2000, cello students of the Suzuki Music School of Reykjavík went to Boston where they played "Snorri Thorfinnsson's Lullaby" among other pieces.

Snorri Thorfinnsson's Lullaby - Score (PDF-file)

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 Fegurð veraldar mun hverfa
("The Glory of the World Will Vanish")
for soprano, clarinet (in Bb), 2 violas, cello, double bass and percussion (1) was composed in 1999. It was commissioned by Collegium Musicum, musical association in Skalholt. Funds were provided by the Composers' Fund of the Icelandic National Broadcasting Service. The piece was first performed at Skalholt Cathedral on July 24th 1999 under the direction of the composer. The soloist was Hallveig Runarsdottir (soprano) and instrumentalists were: Oskar Ingolfsson (clarinet), Steef van Oosterhout (percussion), Thorunn Osk Marinosdottir (viola), Herdis Jonsdottir (viola), Nora Kornblueh (cello) and Havardur Tryggvason (double bass).

The poem was written by Hallgrimur Petursson (1614-16749).

(Percussion instruments: marimba, vibraphone and crotales).

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Caput Concerto No. 1

for flute, oboe, clarinet (in Bb), bassoon, horn in F, trumpet in C, trombone, percussion (1)*, piano and strings (2-1-1-1), was composed in 2000 commissioned by CAPUT and Reykjavík European City of Culture in the Year 2000. It was first performed in Reykjavik on Nov 11th by Caput-ensemble conducted by Gudmundur Oli Gunnarsson.

The piece consists of one movement and the duration is 20 minutes. It was revised in 2002 and the new version was performed by CAPUT conducted by Gudmundur Oli Gunnarsson on December 1st 2002 in Berlin at the Nordic Music Days ("Magma").

*Percussion instruments: wind gong (L), 3 Peking gongs (H,M,L), very, very small suspended cymbal, vibraphone, marimba, sizzle cymbal, darabuka, bass drum (with foot pedal), brake drum, large untuned cowbell, 2 tuned gongs.

Caput Concerto No. 1 - The score (pdf)

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Caput Concerto No. 2

for flute, oboe, clarinet (in Bb), bassoon, trumpet in C, trombone, piano and strings
(2-1-1-1) and three percussion soloists*. The piece was composed for and dedicated to the three permanent members of the percussion group Benda: Eggert Palsson, Petur Gretarsson, and Steef van Oosterhout. It consists of 4 movements:

1. Prelude
2. Meditation
3. Vikivaki
4. Epilogue.

Two of these movements (nos. 1 and 4) are also part of another work which is called Three Movements from Benda Concerto. Prelude is for percussion (3) alone, Epilogue is for percussion (3) and piano, but Meditation and Vikivaki are for chamber ensemble and percussion (3). Vikivaki is based on an Icelandic folk song.

The duration of Caput Concerto no. 2 is c.22 minutes.

*Percussion instruments - 3 Players

Perc. 1:

Talking Drum, -Vibraphone 1 (without motor), - Crotales 1 (written: f ', gb ' , f " , gb" ), -
2 African Tom-toms (H, L)*, - Pair of Finger Cymbals (suspended), - 2 Suspended Cymbals.

Perc. 2:

Bodhrán, - Vibraphone 2, - Crotales 2 (written: c# ' , d' , c# " , d" , eb" ), - 2 Low Dobachi, - Wood Block, - 2 pairs of Bongos (1st set: high pitch, 2nd set: low pitch)*, - Large suspended Chinese Hand Cymbal - (shared with Perc.3).

Perc. 3:

Darabouka, - Marimba, - A pair of large Chinese Hand Cymbals (with very big dome), one cymbal is shared with Perc.2, - Junior Conga*, - Conga*, - 2 Boobams (ML, L)*.


* The drums suggested for the 3rd movement, Vikivaki, can be replaced by other drums, e.g. homemade drums. The choice of instruments is left to the discretion of the soloists.

Caput Concerto No. 2 - The score (pdf).

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Piano Concerto No.2

was commissioned by the Composers' Fund of the Icelandic National Broadcasting Service and written in 2005 for the Caput Ensemble and the piano virtuoso Vikingur Heidar Olafsson. The work consists of 3 movements and the duration is 25 min. It was inspired by the artistry of Vikingur Heidar Olafsson and is dedicated to him. He and the Caput-ensemble gave the first performance of the work on October 13th 2006 in Reykjavik (Nordic Music Days). The conductor was David Curtis.

Instrumentation is as follows: 1-1-1-1, 1-1-1-0, Percussion (2 players)*, Harp, Solo Piano, 2 Violins, Viola, Cello and Double Bass.

*Percussion instruments:

* Perc. 1:

Glockenspiel, Marimba, Suspended Cymbal, Bongos, 2 Timbales (h,l), Temple Blocks.

*Perc. 2:

5 Tom-toms (h, mh, m, ml, l), Woodblock, Machine Castanets, Vibraphone.

Piano Concerto No.2 is dedicated to Víkingur Heiðar Ólafsson.

Piano Concerto No.2 - Score (pdf).

Piano Concerto No.2 on Youtube

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Lilja
In the summer of 2004 a seminar for young cellists took place in Gambrils, a small town in the vicinity of Barcelona. A few Icelandic cello students took part in the seminar together with local students. One of the teachers of the seminar was Richard Talkowsky who asked me to arrange an Icelandic folk song, Lilja, for the group, which I did. The arrangement was premiered at the end of the seminar. It can be performed by 4 cellos or cello ensemble.

Lilja - score (pdf)


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The Girl in the Tower
for chamber orchestra* and narrator was commissioned by The North Iceland Symphony Orchestra and composed in 2004. The narrator reads a story, The Girl in the Tower, by Jónas Hallgrímsson, and the musicians dramatise it. The first performance was given in Akureyri on April 17th 2005 by The North Iceland Symphony Orchestra under the baton of Guðmundur Óli Gunnarsson with Skúli Gautason as narrator. In the autumn of 2005 the orchestra, conducted by Guðmundur Óli Gunnarsson, performed the piece 28 times for school children in the north of Iceland with the composer as narrator.

*Instrumentation: 1-1-1-1, 1-1-1-0, piano, percussion (1), string quartet.


 

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